Estelle attacks ‘blindness to black talent’:
“There is a fashion for YWFs – young white females,” said Paul McKenzie, editor of the urban music magazine Touch. “They are the ones who are given the money and the time, and most importantly, people are patient with them. Duffy, if she hadn’t had this hit, would have been given a second chance, and a third. Estelle wasn’t. The people who hold the purse strings are looking at trends rather than talent. If you’re not a young white female – in other words if you’re black – I can imagine that is incredibly depressing.”
Hmm. I don’t listen to young black men and women (or young white men and women) doing soul and R&B and hip-hop because… I don’t like soul and R&B and hip-hop. They should be thanking their lucky stars I’m not into that kind of music, since I’m such a cheapskate I only buy the S$11.90 Special Singapore Editions once a year anyway!
Besides, if what Paul MacKenzie says is true, it’s not about race, it’s about what makes money (well, knock me over with a feather). Can talented young black women musicians not create a demand for their ‘product’? Are they mad that what is considered ‘black’ music is mainstream enough for white chicks with nice voices to get in on the action? But if soul music had never gone mainstream, the record companies would be accused of being racist, wouldn’t they?
I also have a question. How many successful (commercially or critically) bands / acts that do NOT do soul, R&B, or hip-hop feature a strong black presence? There are loads of people of every colour trying to do R&B (mostly poorly), but when it comes to black people doing rock, pop rock, or indy, I can really only think of Hootie and the Blowfish and the the Dave Matthews Band.
BTW, didn’t Leona Lewis just get her first Billboard no. 1? She’s not a YWF.